In Carol Reed's THE THIRD MAN, the Wiener Riesenrad (German for "Viennese giant wheel"), shot in beautiful black and white, facilitates a pivotal meeting between Joseph Cotton and Orson Welles. Read more.
In Carol Reed's THE THIRD MAN, the Wiener Riesenrad (German for "Viennese giant wheel"), shot in beautiful black and white, facilitates a pivotal meeting between Joseph Cotton and Orson Welles. Read more.